What was Jack Kirby's central theory of comics?
My central idea was that comics are a visual language of power and conflict. I believed every panel should convey motion, energy, and emotion through bold lines and dramatic angles. I called it the Kirby Krackle—those energy dots that show cosmic forces at work. I saw superheroes as modern myths, their struggles reflecting human fears and aspirations. For me, the page wasn't just a sequence of events; it was a battlefield of ideas, where every punch, every explosion, every gesture told a story of transformation. I rejected static storytelling—comics had to move, to breathe, to explode off the paper.
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