The Time of the Hero (1963)

Question

Beyond the poem itself, how do the various "paratextual" elements mentioned (prefaces, dedications, postscript) collectively frame the reader's experience and shape their perception of "Hero and Leander" before they even begin reading the main narrative?

Synthesized answer

The preface to "Hero and Leander" positions the poem as a "new edition, revised and corrected; with a critical preface" [1]. It also includes a dedication to Henry Fuseli, Esq., praising his "embodied conception of Hero and Leander" and describing it as a testament to his "deepest admiration for the diversified powers of his mind and art" [1]. This framing immediately establishes the work as a significant piece of art that has inspired other artists and suggests it is worthy of critical attention and admiration.

The dedication to Sir T. Walsingham speaks to a duty owed to a deceased friend, implying that the poem is a form of remembrance and a means to uphold the credit and unfinished determinations of the deceased [3]. Additionally, a postscript criticizes the "extreme and reprehensible carelessness" of others who have described the poem as a mere translation, urging readers to consider the arguments of the "various 'Sestyads'" to appreciate the contributions of Marlowe and Chapman [2]. These paratextual elements collectively prepare the reader to engage with the poem as a work of significant artistic merit, a tribute to its authors, and a piece that has been subject to…

Synthesized from the book passages below. Chat with the book on Feynman for follow-up.

From the book

For works with similar titles, see Hero and Leander . ← Hero and Leander ( 1821 ) Christopher Marlowe and George Chapman Preface → 53206 Hero and Leander 1821 Christopher Marlowe and George Chapman ​ HERO AND LEANDER. BY MARLOW AND CHAPMAN. page ​ HERO AND LEANDER. A Poem. BY CHRISTOPHER MARLOW , AND GEORGE CHAPMAN . A NEW EDITION, REVISED AND CORRECTED; WITH A CRITICAL PREFACE. —————— A story of deep love, How young Leander crossed the Hellespont. SHAKSPEARE Chiswick: FROM THE PRESS OF C. WHITTINGHAM, COLLEGE HOUSE. M DCCC XXI. page ​ DEDICATION. To the greatest genius born since the…
Passage [2]
← Sixth Sestyad Hero and Leander Christopher Marlowe and George Chapman Postscript → 3625579 Hero and Leander — Postscript Christopher Marlowe and George Chapman ​ POSTSCRIPT. The Editor cannot take leave of the kind, novelty-contemning reader, who has, in spite of rough and wild ways, accompanied his honoured charges and himself thus far, without a remark on the extreme and reprehensible carelessness of Mr. Malone and others, in describing this original poem as a mere translation of Musæus ! Had these accurate gentlemen ventured a step out of the bibliographer's strong hold, (the title page…
Passage [77]
← Preface Hero and Leander Christopher Marlowe and George Chapman Dedication to Sir T. Walsingham First Sestyad → 3521155 Hero and Leander — Dedication to Sir T. Walsingham Christopher Marlowe and George Chapman ​ TO THE RIGHT WORSHIPFULL SIR T. WALSINGHAM, KNIGHT. sir, We thinke not our selues discharged of the duty we owe to our friend, when we haue brought the breathles bodie to the earth: for albeit the eie there taketh his euer farewell of that beloved object, yet the impression of the man that hath been deare vnto vs, liuing an after life in our memorie, there putteth us in minde of…
Passage [4]
← Dedication to Sir T. Walsingham Hero and Leander Christopher Marlowe and George Chapman First Sestyad by Christopher Marlowe Second Sestyad → 53207 Hero and Leander — First Sestyad Christopher Marlowe ​ HERO AND LEANDER. FIRST SESTYAD. page ​ The Argument of the First Sestyad. Hero's description, and her loves; The Fane of Venus, where he moves His worthy love-suit, and attains; Whose bliss the wrath of Fates restrains, For Cupid's grace to Mercury: Which tale the author doth imply. page ​ HERO AND LEANDER. THE FIRST SESTYAD. O n Hellespont, guilty of true love's blood, In view and opposite…
Passage [33]
se; And modestly they open'd as she rose: Thence flew Love's arrow with the golden head; And thus Leander was enamoured. Stone still he stood, and evermore he gaz'd, Till with the fire, that from his countenance blaz'd, Relenting Hero's gentle heart was strook: Such force and virtue hath an amorous look. It lies not in our power to love or hate, For will in us is overrul'd by fate. When two are stripp'd long ere the course begin, We wish that one should lose, the other win. And one especially do we affect Of two gold ingots like in each respect: The reason no man knows; let it suffice, What…
Passage [41]

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