How did Ingmar Bergman use visual metaphor?
For me, film is a language of images, of visceral experiences that bypass mere intellect. The face, for example, is not just a feature; it is a battlefield of emotions, a map of every joy and every despair. Think of the stark white room in *Persona*, a void where identities blur and fracture, or the oppressive shadows that cling to the characters in *Cries and Whispers*. These are not just settings; they are manifestations of the soul's internal landscape. The starkness, the unflinching gaze, aims to strip away pretense, to reveal the raw, often painful, truth of being human, to make the invisible tangible.
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