If, as the translator suggests, Garibaldi's "eloquence as peculiar and real as his military genius" is "very imperfectly presented" in the English version, what specific literary elements or aspects of his writing style might be most challenging to translate without losing the essence, and why?

From the book

argument against prefaces--especially since, as a rule, no one ever reads them till the book itself has been perused. The great soldier who has here turned author, entering the literary arena as a novelist, has also given his English translators no preface. But our custom demands one, and the nature of the present work requires that a few words should be written explanatory of the original purpose and character of the Italian MS. from which the subjoined pages are transcribed. It would be unfair to Garibaldi if the extraordinary vivacity and grace of his native style should be thought…

and personal traits which really make a book, as lines and light shadows make a countenance. Moreover, the Italian MS. itself, written in the autograph of the General, was compiled as the solace of heavy hours at Varignano, where the King of Italy, who owed to Garibaldi's sword the splendid present of the Two Sicilies, was repaying that magnificent dotation with a shameful imprisonment.

written under such conditions with those elaborate specimens of modern novel-writing with which our libraries abound. Probably, had General Garibaldi ever read these productions, he would have declined to accept them as a model. He appears to have taken up here the form of the "novella," which belongs by right of prescription to his language and his country, simply as a convenient way of imparting to his readers and to posterity the real condition and inner life of Rome during these last few eventful years, when the evil power of the Papacy has been declining to its fall. Whereas,…

s sword the splendid present of the Two Sicilies, was repaying that magnificent dotation with a shameful imprisonment. The time will come when these pages--in their original, at least--will be numbered among the proofs of the poet's statement that-- "Stone walls do not a prison make, Nor iron bars a cage: Minds innocent and quiet take These for a hermitage." If there be many passages in the narrative where the signs are strong that "the iron has entered into the soul," there are also a hundred where the spirit of the good and brave chieftain goes forth from…

ars content with the government of Jesuits, and the liberty of hearing the Pope's mezzo-sopranos at the Sistine Chapel. He who has composed this narrative, at once so idyllic in its pastoral scenes--so tender and poetic in its domestic passages--so Metastasio-like in some of its episodes--and so terribly earnest in its denunciation of the wrongs and degradation of the Eternal City, is no unknown satirist. He is Garibaldi; he has been Triumvir of the Seven-hill-ed City, and Generalissimo of her army; her archives have been within his hands; he has held her keys, and fought behind…