Death and the King's Horseman

Question

The narrator states Vic's "set of drills was wife and child to him" and later describes his dread of the "evening pause." Explain how these two distinct details work together to illustrate the profound "acid loneliness" Vic experiences and the full "price" he is paying for his ambition.

Synthesized answer

Vic's dedication to his work, where his "set of drills was wife and child to him" [1], demonstrates how his ambition has replaced personal relationships. This is further illustrated by his "acid loneliness" [1], a profound isolation that stems from his single-minded pursuit of his goals.

The dread Vic experiences of the "evening pause" [1] highlights the emotional cost of his ambition. He confesses that a man "needs a talk as well as tobacco" [1], indicating a fundamental human need for connection that his intense work schedule denies him. This dread is so severe that he "purposely spent himself every day, so as to pass from supper into sleep at a stride" [1, 2], illustrating the extreme measures he takes to avoid confronting the emptiness left by his ambition. The passages show that Vic is paying a heavy price in terms of emotional and social isolation for his ambition.

Synthesized from the book passages below. Chat with the book on Feynman for follow-up.

From the book

lishes the rule: he did the assessment work on fourteen claims and almost finished the fifteenth, yet he paid the price. Week after week his set of drills was wife and child to him, and for conversation he had only the clangor of the four-pound single-jack on the drill heads, with the crashing of the “shots” now and then as periods to the ​ chatter of iron on iron. He kept at it, and in the end he almost finished the allotted work, but for all of it he paid in full. The acid loneliness ate into him. To be sure, from boyhood he knew the mountain quiet, the still heights and the solemn echoes,…
Passage [3]
these evenings so bitterly that he purposely spent himself every day, so as to pass from supper into sleep at a stride. It needed a long day to burn out his strength thoroughly, so he set his rusted alarm-clock, and before dawn it brought him groaning out of the blankets to cook a hasty breakfast and go slowly up to the tunnel. In short, he wedded himself to his work; he stepped into a routine which took the place of thought, and the change in him was so gradual that he did not see the danger. A mirror might have shown it to him as he stood this morning at the door of his lean-to, for the…
Passage [4]
exchange for the greetings. “Red-eye,” he ordered, and seized bottle and glass as Lorrimer spun them deftly towards him. Captain Lorrimer picked up the bottle and gazed at it mournfully when Vic had poured his drink. “Son,” he murmured, “you've sure raised an awful thirst.”
Passage [249]
boy, Jack, who raced into the street whooping, and Vic caught him under the armpits and swung him dizzily into the air. “By God,” muttered Vic, as he strode on, “that's a good kid, that Jack.” And he straightway forgot all about that knife which Jackie had purloined from him the summer before. “Me and Betty,” he thought, “we'll have kids, like Jack; tougher'n leather.” Old Garrigan saw him next and cackled from his truck garden in the backyard, but Vic went on with a wave of his arm, and on past Gertie Vincent's inviting shout (Gertie had been his particular girl before Betty Neal came to…
Passage [119]
e him alone.” ​ “But she says he asked her to come in—said he would take the blame.” “I told her not to go.” “Poor baby! She's outside, now, weeping her eyes out on Bart's shoulder and he's trying to comfort her.” It was purer English than Vic was accustomed to hear even from his schoolmistress, but more than the words, the voice surprised him, the low, controlled voice of a woman of gentle blood. He turned his head and looked out the window, baffled. Far above, shooting out of sight, went the slope of a mountain, a cliff shining in the slant sun of the afternoon here, a tumbled slide of…
Passage [418]

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