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Symphony No. 3 in A minor, Op. 56 'Scottish'

by Felix Mendelssohn

Summary

This entry on Mendelssohn's "Scottish" Symphony No. 3 in A minor, Op. 56, asserts that arrangements of musical works should preserve the composer's original ideas and character, rather than altering the form and substance of passages. The author critiques arrangements that change instrumentation in ways that distort the composer's intent, citing an example of Mendelssohn's "usual reverence and modesty" being disregarded in an arrangement that changed a passage's character. The core principle is that while the "dress" of musical ideas may be altered, the ideas themselves should remain unmodified.

This perspective emphasizes the integrity of the composer's creative vision. The text differentiates between acceptable changes in instrumentation and unacceptable alterations that fundamentally change the musical passage. A reader learns that the "Scottish" Symphony is subject to these critical considerations regarding its performance and arrangement, and that an arranger's responsibility lies in respecting the composer's original artistic choices.

Key concepts

  • Mendelssohn's "Scottish" Symphony No. 3 in A minor, Op. 56A specific musical work by Felix Mendelssohn, analyzed for its treatment in arrangements.
  • ArrangementThe practice of adapting a musical composition for a different performance medium or context.
  • Alteration of form and characterA critical concern in musical arrangement, where changes go beyond instrumentation to modify the fundamental nature of a passage.
  • Composer's ideasThe underlying musical thoughts and intentions of the creator that should ideally be preserved.

From the book

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