Interviews with the American Institute of Physics (2003)

Question

Sinclair Lewis credits Dr. DeKruif not only for factual material but also for "planning of the fable itself" and "realization of the characters." What does this level of acknowledged collaboration suggest about the nature of authorship and the pursuit of authenticity in a novel exploring specialized fields?

Synthesized answer

Sinclair Lewis explicitly states his indebtedness to Dr. Paul H. DeKruif not only for factual material concerning bacteriology and medicine but also for his "help in the planning of the fable itself" and "his realization of the characters as living people" [1]. Lewis also mentions their "months of companionship while working on the book" in various locations [1].

This level of acknowledged collaboration suggests a deep partnership in the creative process, extending beyond mere factual input to include the structural and character development aspects of the novel. The phrasing implies that DeKruif's contributions were integral to the narrative's conception and execution, touching upon the "philosophy as a scientist" [1]. The passages do not explicitly define what this implies about the general nature of authorship or the pursuit of authenticity in novels exploring specialized fields, but it demonstrates a model of co-creation where a subject matter expert significantly influences the artistic and thematic elements of a work.

Synthesized from the book passages below. Chat with the book on Feynman for follow-up.

From the book

← Arrowsmith ( 1925 ) by Sinclair Lewis Chapter I → related portals : Pulitzers , American literature Winner of the 1926 Pulitzer Prize for the Novel 3617447 Arrowsmith 1925 Sinclair Lewis Layout 2 ​ ARROWSMITH By SINCLAIR LEWIS Author of Main Street, Babbitt, etc. NEW YORK HARCOURT, BRACE AND COMPANY 130 ​ COPYRIGHT, 1925, BY HARCOURT, BRACE AND COMPANY, INC. Copyright, 1924, 1925, by The Designer Publishing Company, Inc. The first edition of Arrowsmith consists of 500 copies on handmade paper, numbered and signed by the author. Second printing [first trade edition], January, 1925 PRINTED IN…
Passage [2]
mpanionship while working on the book, in the United States, in the West Indies, in Panama, in London and Fontainebleau. I wish I could reproduce our talks along the way, and the laboratory afternoons, the restaurants at night, and the deck at dawn as we steamed into tropic ports. Sinclair Lewis Chapters (not listed in original) Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter…
Passage [3]
o find a hemolysin for which there's an antibody. There isn't any for streptolysin. I'd like to work with staphylolysin. Would you mind?" "I do not care what you do—if you just do not steal my staph cultures out of the ice-box, and if you will look mysterious all the time, so Dr. Tubbs, our Director, will t'ink you are up to something big. So! I haf only one suggestion: when you get stuck in a problem, I have a fine collection of detective stories in my office. But no. Should I be serious—this once, when you are just come? ​ "Perhaps I am a crank, Martin. There are many who hate me. There are…
Passage [185]
physical chemistry. Then Martin had such an assistant as has rarely been known, and that assistant was Gustaf Sondelius. Sondelius was discouraged regarding his school of tropical medicine. He was looking for new trouble. He had been through several epidemics, and he viewed plague with affectionate hatred. When he understood Martin's work he gloated, "Hey, Yesus! Maybe you got the t'ing that will be better than Yersin or Haffkine or anybody! Maybe you cure all the world of plague—the poor devils in India—millions of them. Let me in!" He became Martin's collaborator; unpaid, tireless, not very…
Passage [347]
, then Sondelius cheerfully sterilized glassware and needles, and lumbered up to the animal house to bring down victims. The change whereby Sondelius was turned from Martin's ​ master to his slave was so unconscious, and Sondelius, for all his Pickerbaughian love of sensationalism, cared so little about mastery or credit, that neither of them considered that there had been a change. They borrowed cigarettes from each other; they went out at the most improbable hours to have flap-jacks and coffee at an all-night lunch; and together they handled test-tubes charged with death.
Passage [349]

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