Synthesized answer
The provided passages mention that *Eleven Poems of Rubén Darío* was translated by Thomas Walsh and Salomón de la Selva, with an introduction by Pedro Henríquez Ureña [1]. The translators and introducer are specifically named, indicating their direct involvement in bringing Darío's work to an English-speaking audience in 1916. The passages do not, however, detail how their involvement might be crucial in shaping the reception and interpretation of complex Latin American poetry for an international audience, nor do they elaborate on how this might apply given the rich cultural references in Darío's and Mistral's works.
Synthesized from the book passages below. Chat with the book on Feynman for follow-up.
From the book
← Eleven Poems of Rubén Darío ( 1916 ) by Rubén Darío , translated by Thomas Walsh and Salomón de la Selva → Rubén Darío 1376944 Eleven Poems of Rubén Darío 1916 Thomas Walsh and Salomón de la Selva ELEVEN POEMS OF RUBÉN DARÍO PUBLICATIONS OF THE HISPANIC SOCIETY OF AMERICA No. 105 ELEVEN POEMS OF RUBÉN DARÍO TRANSLATIONS BY THOMAS WALSH AND SALOMÓN DE LA SELVA INTRODUCTION BY PEDRO HENRÍQUEZ UREÑA G. P. PUTNAM'S SONS NEW YORK AND LONDON 1916 Copyright, 1916, by The Hispanic Society of America Contents FACSIMILE OF AUTOGRAPH POEM "PAX" POEMS This work is in the public domain in…
← Introduction Eleven Poems by Rubén Darío , translated by Thomas Walsh and Salomón de la Selva Primaveral Autumnal → 5142504 Eleven Poems — Primaveral Thomas Walsh and Salomón de la Selva Rubén Darío Primaveral N ow is come the month of roses! To the woods my verse has flown Gathering fragrance and honey From the blossoms newly blown. Beloved, come to the forest, The woodland shall be our shrine Scented with the holy perfume Of the laurel and the vine. From tree-top to tree-top flitting The birds greet you with sweet lay, Finding joyance in your beauty Fairer than the birth of day; And the…
← Portico Eleven Poems by Rubén Darío , translated by Thomas Walsh and Salomón de la Selva The Three Wise Kings Song of Hope → 5142521 Eleven Poems — The Three Wise Kings Thomas Walsh and Salomón de la Selva Rubén Darío The Three Wise Kings M y name is Kaspar. I the incense bear. The glamour of the Star has made me wise. I say that love is vaster than the skies. And God exists. And Life is pure and fair. —My name is Melchior. And my myrrh scents all. There is God. He is the light of morn. The fairest blossoms from the dust are born, And joy is shadowed by a threatful pall. —My name is…
← Autumnal Eleven Poems by Rubén Darío , translated by Thomas Walsh and Salomón de la Selva Portico The Three Wise Kings → 5142515 Eleven Poems — Portico Thomas Walsh and Salomón de la Selva Rubén Darío Portico ( Translated by Thomas Walsh) I am the singer who of late put by The verse azulean and the chant profane, Across whose nights a rossignol would cry And prove himself a lark at morn again. Lord was I of my garden-place of dreams, Of heaping roses and swan-haunted brakes; Lord of the doves; lord of the silver streams, Of gondolas and lilies on the lakes. And very eighteenth century;…
← Bagpipes of Spain Eleven Poems by Rubén Darío , translated by Thomas Walsh and Salomón de la Selva Song of Autumn in the Springtime Bibliography → 5142549 Eleven Poems — Song of Autumn in the Springtime Thomas Walsh and Salomón de la Selva Rubén Darío Song of Autumn in the Springtime Y outh , treasure only gods may keep, Fleeting from me forever now! I cannot, when I wish to, weep, And often cry I know not how . . . . My heart's celestial histories, So countless were, could not be told.— She was a tender child, in this World of affliction manifold. She seemed a dawn of pure delight; She…
More questions about this book
- How do the brief descriptions of Gabriela Mistral's "Poema de Chile" and Rubén Darío's "Eleven Poems" hint at different approaches to themes of national identity or the role of a poet in early 20th-century Latin American literature?
- Explain how the description of the woman in "Poema de Chile" as a "fantasma o 'trascordada'" and the "contrapunto" of voices, combined with the journey through "claves genéricas, étnicas y políticas," could create a multifaceted commentary on Chilean history and identity.
- In "A Sonnet on Cervantes," Darío describes reaping "rich delight" from Cervantes' "deathless sorrow" and "laughter from a madness so divine." How does this use of paradox deepen the speaker's appreciation for Cervantes' legacy, and what does it suggest about the enduring power of literary works?
- What does the speaker's declaration in Darío's "Portico" – "I am the singer who of late put by / The verse azulean and the chant profane" – reveal about an evolving poetic identity or a deliberate shift in artistic style?